Oscar + Martin

Oscar + Martin

Gallery: Oscar + Martin

Oscar + Martin, The Hi-Fi Bar, 6th January 2012

While both Oscar (Slorach-Thorn) and Martin (King) have been busy lads with side projects like Brother’s Hand Mirror and The Harpoons respectively, it’s with their self-titled duo that they continue to do their best work.

Last year’s For You was a stunning breakout album, lo-fi and with a unique sound that was as enthralling as it was unusual.

It was great to see them listed as support for touring UK act Metronomy, and there was no chance I was going to let slip the opportunity to see them again.

With their gear usually perched precariously on milk crates, tonight there were actual music stands supporting the laptops and triggers. I figured they’d got paid – Martin told me otherwise – “No, we just borrowed them”.

The two lads set about delivering their unique sound to the growing crowd at the Hi-Fi.

Opening with the brilliant Recognise, one of the standout tracks from 2011, tracks from the album For You were brought to life with the addition of female vocalists, sisters Hazel and Martha Brown. Bec Rigby, bandmate of Martin’s from The Harpoons also joined for a number of tunes. The laid back riffs and catchy hook of Do The Right Thing signalled the end of a great set.

A perfect lead in from a duo whose star is most definitely on the rise. You get the feeling that if both lads channel their energy into this project there could be some big things to look forward to in 2012 and beyond.

Related: Oscar + Martin (Hi Fi Bar, 26th May 2011)

Oscar + Martin

Gallery: Oscar + Martin

Oscar + Martin, The Hi-Fi Bar, 26th May 2011

The lads from Psuche changed their name. Whilst the new name – Oscar + Martin – isn’t quite as imaginative as the old one, it’s considerably easier to pronounce.

What hasn’t got any easier with the name change however is categorising the sound produced by bandmates Oscar V Slorach-Thorn and Martin King.

That though is part of the appeal. The sound is familiar, yet fresh. The inspiration of African drums is evident throughout, with King’s rumbling bass and floor-tom work chugging throughout the set.

Conversely, Oscar’s vocals are at times incidental to the music itself. Not way out in front, but part of the overall mix. (more…)